Live setup 2008:
This is my current live rig. I am using my '63 Bassman into a 1960A Marshall cabinet for my 'dirty' rig. I usually run the Bassman on about 8 and use a Weber MASS attenuator to knock off a few db's. I am using the Mesa Blue Angel 4x10" combo as my clean amp using the EL84 tube selection with the volume at 4 or so. I have a Radial BigShot ABY box that allows me to select either amp or both together.

Live Rig 2007:
'63 Bassman Combo
2-12" Weber 12F150 (C12N) speakers

Weber MASS Attenuator

Peterson VS1 Tuner

Slides Left to Right:
Mudslide ceramic(nice sound on Acoustic and National), Craftsman 11/16" socket(Lowell George's choice), strange ceramic(a gift from my buddy JB, great tone, dig the flames), The Duane Allman reissue Coricidin bottle, Acoustiglide brass

Gibson '57 Reissue Les Paul Custom
Modifications:
Tim White Pickups (Bridge and Neck)
Seymour Duncan Seth Lover pickup (Middle)
Pigtail Music steel bridge studs
RSGuitarworks electronics (wired as a standard 2 pickup LP with a pull pot on the neck pickup tone control to activate the middle pickup)

'67 Gibson ES335
Modifications:
Tim White Pickups
Grover tuners
Lightweight stop tailpiece
This guitar was a gift from my very good friend Jay Lemmon. I got this guitar in probably 1975. I did the Grovers/ stop tailpiece modification in the late '70's. (In hindsight it was wrong to modify such a nice, old guitar, but hey it was the '70's and we all did it)
I played this guitar on the road for years and have used it on almost every recording project I have done. I'm using it more and more these days for Catfish Flats shows and have used it on a number of tunes on our album. I feel very privileged to have been able to play this guitar for the last 30 years.

Eastwood Sidejack
Modifications:
CTS 500K pots and an Angela .022 cap
Jason Lollar P90 in the bridge position

My new Eastwood Sidejack. This guitar is based on the Mosrite instruments made by Semie Mosley and made famous by The Ventures. I had a similar instrument, a Univox HyFlier, during the early '70's and always wanted another instrument of this type. I had seen the model at MyRareGuitars and was intrigued. A friend called me and informed my that there were 3 of these gold Sidejacks available at an incredible deal as they were discontinuing the gold finish. So I took a chance and was totally knocked out. I would have been impressed with the instrument at 3 times the cost. It has a beautiful finish with a very nice rosewood fingerboard, a great feeling neck and an incredible P90 tone.
I installed a Lollar P90 pickup in the bridge position. The stock pickup wasn't bad, but I had heard great things about the Lollars and I wasn't disappointed. They equal or surpass any vintage P90 that I have owned. Everything you would want in a P90. A biting solo tone with the volume wide open and a clear rhythm tone when you back it off. Incredible! I'll be ordering a neck unit soon.
Goldtop finish, a Bigsby vibrato and 2 P90's What's not to like? This guitar has already found its way onto a couple of tracks on our album.
Wanna hear it? Here's a clip of the guitar. (With the original pickups)

Valley Arts/ Samick Ray Benson Tele
Modifications:
Neck Pickup: Duncan Seth Lover
Middle Pickup: Fender Strat

This is a signature model for the lead vocalist/guitarist for Asleep At The Wheel. Nice versatile guitar with a cool state of Texas pickguard.

A gift from my very dear friend Brent Burns

Home-brew Telecaster
Modifications:
Fralin Blues Pickups
Grover Tuners
Angela .022 cap

I purchased this Tele from a former bandmate around 1987. A friend of his had assembled it for him. I have used it on almost every gig since. For years it was a dedicated G tuning guitar. I played this guitar on a number of tunes on the Mr. X album. Later while I was with the Andy Smith Band I started playing it in standard tuning and the guitar found its way onto a majority of the songs on the album I did with them.
Currently I'm using it in E tuning.
The slide, intro and main rhythm guitar on "South of Highway 31" from our album were done with this guitar.

South of Highway 31

'57 Reissue Strat
Modifications:
Schaller locking tuners
Recent Fender 57/62 pickups
Tone control on the bridge pickup
Angela .022 cap
Jimi Hendrix sticker (Thanks Donna)

I purchased this guitar new in late '83 or early '84. I have used it on almost every gig I have done since and all the wear on the guitar was self inflicted. I have used this guitar in one way or another on every album project I have ever done. I have used a dozen different sets of pickups and 4 different bridges over the years. It is now setup more or less like a stock Strat and in the 20+ years I've played her, she has never sounded better.
This one has served me well.

1957 Fender Musicmaster
Modifications:
Refinished, non-original pickup and tone knob.

This is a cool, very light comfortable guitar. The original pickup was gone when I got it so I put a Strat pickup in. Cool gold anodized pickguard. I've been using it in G-tuning lately.

1930's Aloha Acoustic

Built by the Aloha Musical Instrument Company in Chicago. I got it with the original case that contained the orignal bill of sale. It was purchased in 1939 for $39 and the buyer paid a dollar a week on the guitar. The receipt has a record of each payment. Also include were 2 'vintage' Bravo brand strings.
Primarily used in D tuning.

Late '50's Silvertone Aristocrat 17" Archtop
This is a great blues/jazz box. I rarely gig with it but play it around the house all the time.
Modifications:
Non-professional refin on the top, missing pickguard, tune-o-matic bridge, Gibson P90 in the rear and Dearmond (as used in the old Gretsch's) in the neck position.

Danelectro 3 pickup Reissue

This is one of the reissues that came out 8 or 9 years ago. John at MMI in Mobile had a couple of dozen of them, some single cutaway, some double, in the two and three pickup varieties. I played a whole bunch of them and this was the best sounding of all of them. The fact that it is purple sealed the deal. These are fun, great sounding guitars and I play it around the house all the time.

Musicman SUB 5 Bass

I had been in the market for a good studio bass for some time. I've always loved Musicman basses and when this one came up for sale I grabbed it. These has the perfect marriage of a classic Fender bass tone and with active electronics you have the option of a modern high fidelity type of tone. I would have preferred the 4 string variety, I don't really use the low B string much, but this one became available and I couldn't resist.